This week I have been working on teaching students how
writers structure a setting in a novel. At the same time, I have been also
teaching how Steinbeck uses setting in ‘Of Mice and Men’. And, in the interest
of making my workload lighter, I discovered a nice, easy approach.
A few years ago, people started making blacked-out poetry. A
nice simple idea whereby students remove large chunks of a text and boil it
down to what, the student thinks, are the most important words.
This time around I decided to work backwards and I must say
I am pleased with the result. I produced setting poems for the different places in ‘Of
Mice and Men’. I selected the key parts of a setting and binned the rest. The
result was a messy bit of poetry. Nonetheless, it did fit together.
Students analysed the setting as a poem. This made for some
interesting comments about the writer’s choice of words. The bunkhouse provoked
questions about the use of paint and the size of the windows. But, importantly,
it helped students to spot patterns in the text and explore the structure of
the descriptions (again, a link to the new GCSEs) in relation to the text’s
meaning.
I suppose in terms of the new exams we need to help train
student to search for links, connection and ideas across a text, yet they are
often dealing with large blocks of text in the exam. This approach of boiling
the text down and analysing it will be an approach I will be using with Year 10s
so they can build their confidence at looking at larger texts. All too often,
the questioning we use in lessons is directing students to particular idea in
the text. This approach allows students to be precise yet also concentrate on
the whole text at the same time. The poems kept the structure and order of
things as well as the language choices.
After student had analysed a setting poem they compared it
with others. They discussed the use of windows in the novel – something I have
never given a second thought to. One student suggested the window represented
freedom or, interestingly, intelligence. Another, student explored the use of
the word shed for Crook’s setting. A shed being something where you store
machines or tools. Others spotted the use of cleanliness in Old Suzy’s Place
and how this contrasted with the other settings. One student thought the use of
the word ‘clean’ was actually sarcasm.
I suppose the beauty of this approach is it declutters the
text for student. Sometimes, it is too hard to find points of interest when
they are so many things and points in a text. This helps narrow the little grey
cells and see the wood for the tree. Plus, I am comparing texts and analysing ‘poems’
all at the same time.
Thanks for reading,
Xris
Here are some examples:
Bunkhouse
whitewashed
unpainted
small, square windows,
eight bunks
showing their burlap ticking
shelves were loaded
Western magazines
a big square table littered with
playing cards
flies shot like rushing stars
Crook’s Bunk
a little shed
square four-paned window
leather-working tools
a range of medicine bottles
both for himself and for the horses
scattered about the floor were a number
of personal possessions
several pairs of shoes
a big alarm clock
a single-barreled shotgun.
a mauled copy of the California civil
code for 1905
battered magazines
a few dirty books on a special shelf
over his bunk
a proud, aloof man
sound of moving horses, of feet
stirring, of teeth champing on hay, of the rattle
of halter chains
threw a meagre yellow light
The Barn
the great barn
piled high with new hay
hay came down like a mountain slope to
the other end of the barn
the feeding racks were visible
between the slats the heads of horses
could be seen
Sunday afternoon
resting horses nibbled the remaining
wisps of
hay
afternoon sun sliced in through the
cracks of the
barn walls
bright lines on the hay
buzz of flies
outside came the clang of horseshoes on
the playing peg
shouts of men, playing, encouraging,
jeering
quiet and humming
lazy and warm
Old Susy’s Place
old Susy’s place
a nice place
a laugh
always crackin’ jokes
never talks dirty
get a shot for two bits
nice chairs
Susy don’t give a damn
ain’t rushin’ guys through and kickin’
‘em
a hell of a lot of fun
crackin’ jokes all the time
My girls is clean
no water in my whisky
clean and she got nice chairs
no goo-goos
The Dream
Farm
An’ live off the fatta the lan
the garden
the rabbits
in the cages
the rain in the winter
the stove
how thick the
cream is on the milk like you can
hardly cut it
a big vegetable patch
up a fire in the stove and set around
it an’ listen to the
rain comin’ down on the roof
a little house an’ a room to ourself
Little fat iron stove
We’d belong there
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